![]() ![]() If each recipe uses a different white balance, then you can set the shift for that recipe and you’re good to go. For each color preset you simply use a film simulation recipe with a different white balance. Or maybe you set aside one or two for black-and-white, in which case white balance and white balance shift may or may not be important. So you have custom slots C1 through C7, right? Maybe you use all seven of them for color. Or you can have presets that use the same white balance and the same white balance shift. The issue is that only one white balance shift can be saved per white balance, but in that statement lies the answer! What you need are presets that use different white balances. ![]() There’s a simple work-around that might make things much easier for you. There’s an outside chance that X-Trans III cameras could also be given this feature, but most likely not. You can set it and forget it! There’s a decent chance that this ability will be added to the X-T3 and X-T30 via a firmware update at some point, but right now the X-Pro3 is the only camera that can do this. You can save unique white balance shifts with each preset in the Q menu. The Fujifilm X-Pro3 doesn’t have this problem from what I’ve heard. For many people, this means that whenever you change recipes you’re also having to adjust the white balance shift, which is a pain sometimes. If all of your C1-C7 presets in the Q menu use the same white balance, one white balance shift will be applied to all of them. In other words, whatever shift you set for auto white balance will be applied to all custom presets that use auto white balance. You can only save one white balance shift for each white balance type in the White Balance Menu. Unfortunately, you cannot save white balance shifts with custom presets. ![]() As you know, my film simulation recipes rely heavily on white balance shifts. ![]()
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